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Dr.Gurinder H.Singh
Name of the course: (CBCS) BA Prog. Part 1, Sem 2, Hindustani Music
Name of paper: Basics of Indian Musicology. (62444201)
Name of unit: 1 and 2
Primary study material: Practical -Raga Jaunpuri - Reference Book, Pt. Bhatkhande, Kramik Pustak Mallika, Vol-4, starting from Pg. 604
a) Parichey
b) Aroha, Avaroha, Pakad.
Ability to sing and play on the Harmonium.
b)Writing of the Notation in the Bandish in chota khayal (Theory)
c) Learning to sing the Sthai
d) Learning to sing the Antara.
e) learning to sing 2 alaaps
i ) Mandra to Madhya Saptak
ii) Madhya Saptak to Taar Saptak.
iii) learning to sing 3 Taans in 8 beats
iv) learning to sing one Taan in 12 beats
v) learning to sing one Taan in 16 beats.
Raag Jaunpuri You Tube Links:-
Dr. Gurinder H. Singh
7.4.2020 to 11.4.2020
Raga Kafi - Reference Book, Pt. Bhatkhande, Kramik Pustak Mallika.
a) Parichey
b) Aroha, Avaroha, Pakad.
Ability to sing and play on the Harmonium.
b)Writing of the Notation in the Bandish in chota khayal (Theory)
c) Learning to sing the Sthai
e) learning to sing 2 alaaps
i ) Mandra to Madhya Saptak
ii) Madhya Saptak to Taar Saptak.
iii) learning to sing 3 Taans in 8 beats
Theory
Learning the Biographies of the following musicians.
1)Jaidev
2)Pt. Bhatkhande
YouTube links.
Dr.Prerna Arora
Name of the course: (CBCS) BA Prog. Part 1, Sem 2, Hindustani Music
Name of paper: Basics of Indian Musicology. (62444201)
Name of unit: 1 and 2
Primary study material: Practical
Raga Yaman Pt. Tejpal Singh,
Vidhivat Sangeet Sikshan starting from Pg. 111
a) Parichey
b) Aroha, Avaroha, Pakad.
Ability to sing and play on the Harmonium.
b)Writing of the Notation in the Bandish in chota khayal (Theory)
c) Learning to sing the Sthai
d) Learning to sing the Antara.
e) learning to sing 2 alaaps
i ) Mandra to Madhya Saptak
ii) Madhya Saptak to Taar Saptak.
iii) learning to sing 3 Taans in 8 beats
iv) learning to sing one Taan in 12 beats
v) learning to sing one Taan in 16 beats.
Dr.Prerna Arora
Name of the course: (CBCS) BA Prog. Part 1, Sem 2, Hindustani Music
Name of paper: Basics of Indian Musicology. (62444201)
Name of unit: 1 and 2
Primary study material: Practical
Raga Yaman Pt. Tejpal Singh,
Vidhivat Sangeet Sikshan starting from Pg. 111
a) Parichey
b) Aroha, Avaroha, Pakad.
Ability to sing and play on the Harmonium.
b)Writing the Notation of the Bandish of Bada Khayal (Theory)
c) Learning to sing the Sthai
d) Learning to sing the Antara.
e) learning to sing 3-5 alaaps
i ) Mandra to Madhya Saptak
ii) Madhya Saptak to Taar Saptak.
iii) learning to sing 2-3 Taans in 2-3 Avartanas
Raag Yaman You Tube Links:-
Dr. Prerna Arora
6.4.2020 to 10.4.2020
- Practical revision of the complete format of Raga Yaman
- Bada Khayal Alap and Taans
- Chota khayal Alaap and Taans
Theory:
Learning the Biographies of the following musicians
i).Mansingh Tomar
ii).Abdul kareem khan
Dr.Gurinder H.Singh
Name of the course: (CBCS) BA Prog. Part -2,Sem 4,Hindustani Music
Name of paper: Theory of Indian Music, Medieval Granthas, and Contribution of Musicians & Musicologists (62444403)
Name of unit: 1 and 2
Primary study material: Practical -Raga Bhimplasi - Reference Book, Pt. Bhatkhande, Kramik Pustak Mallika, Vol-4, starting from Pg. 570
a) Parichey
b) Aroha, Avaroha, Pakad.
Ability to sing and play on the Harmonium.
b)Writing of the Notation in the Bandish in chota khayal (Theory)
c) Learning to sing the Sthai
d) e) learning to sing 2 alaaps
i ) Mandra to Madhya Saptak
ii) Madhya Saptak to Taar Saptak.
iii) learning to sing 3 Taans in 8 beats
iv) learning to sing one Taan in 12 beats
v) learning to sing one Taan in 16 beats.
Raga Bhimplasi You Tube Links :-
Dr. Gurinder H. Singh
7.4.2020 to 11.4.20201.
- Practical Revision of singing the complete format of Raga Bhimplasi
- Learning to Sing the Sthai of Dhrupad in Raga Bhoopali with Its Dugun, Tigun, and Chaugun
- Learning to write the Sthai of the dhrupad in Notation.(Theory)
- Learning the Biographies of the following musicians.
- Pt. Krishna Narayan Ratanjankar
- Beethoven
YouTube links :
Dr.Prerna Arora
Name of the course: (CBCS) BA Prog. Part 2,Sem 4,Hindustani Music
Name of paper: Theory of Indian Music, Medieval Granthas, & Contributions of Musicians & Musicologists. (62444403)
Name of unit: 1 and 2
Primary study material: Practical
Raga Bagshree Pt. Tejpal Singh,
Vidhivat Sangeet Siksha, staring from starting from Pg. 216
a) Parichey
b) Aroha, Avaroha, Pakad.
Ability to sing and play on the Harmonium.
b)Writing of the Notation in the Bandish in chota khayal (Theory)
c) Learning to sing the Sthai
d) Learning to sing 2 alaaps
i ) Mandra to Madhya Saptak
ii) Madhya Saptak to Taar Saptak.
iii) learning to sing 3 Taans in 8 beats
iv) learning to sing one Taan in 12 beats
v) learning to sing one Taan in 16 beats.
Raag Bagshree You Tube Links:-
Dr. Prerna Arora
6.4.2020 to 10.4.2020
Raag Bagshree Vilimbat khayal
1.Learning to sing the Sthai
2.Learning to sing the Antara.
3.Learning to sing 4-5 alaaps
i ) Mandra to Madhya Saptak
ii) Madhya Saptak to Taar Saptak.
iii) learning to sing 2-3 Taans in
2-3 Avartanas
Theory
- Writing the Notation of the Bada khayal
- Detailed study of the following
- a)Vilayat khan
- b)Mutthuswami Dikshitar
Dr.Gurinder H.Singh
Name of the course: (CBCS) BA Prog. Part -3, Sem 6,Hindustani Music
Name of paper: Musicology & Study of Ragas & Talas (62447608)
Name of unit: 1 and 2
Primary study material: Practical -Raga Hamir - Reference Book, Pt. Bhatkhande, Kramik Pustak Mallika, Vol-3, starting from Pg. 75
a) Parichey
b) Aroha, Avaroha, Pakad.
Ability to sing and play on the Harmonium.
b)Writing of the Notation in the Bandish in chota khayal drut (Theory)
c) Learning to sing the Sthai
d) Learning g to sing the Antara.
e) learning to sing 2 alaaps
i ) Mandra to Madhya Saptak
ii) Madhya Saptak to Taar Saptak.
iii) learning to sing 3 Taans in 8 beats
iv) learning to sing one Taan in 12 beats
v) learning to sing one Taan in 16 beats.
Dr.Gurinder H.Singh
Name of the course: (CBCS) BA Prog. Part -3, Sem 6,Hindustani Music
Name of paper: Musicology & Study of Ragas & Talas (62447608)
Name of unit: 1 and 2
Primary study material: Practical -Raga Hamir - Reference Book, Pt. Bhatkhande, Kramik Pustak Mallika, Vol-3, starting from Pg. 75
a) Parichey
b) Aroha, Avaroha, Pakad.
Ability to sing and play on the Harmonium.
b)Writing of the Notation in the Bandish in Bada Khayal vilambit (Theory)
c) Learning to sing the Sthai
d) Learning g to sing the Antara.
e) learning to sing 4-5 alaaps
i ) Mandra to Madhya Saptak
ii) Madhya Saptak to Taar Saptak.
iii) learning to sing 2-3 Taans in
2-3 Avartanas
Raag Hamir You Tube Links :-
Dr.Gurinder H.Singh
Name of the course: (CBCS) BA Prog. Part -3, Sem 6,Hindustani Music
Name of paper: Musicology & Study of Ragas & Talas (62447608)
Name of unit: 1 and 2
Primary study material: Practical -Raga Puriya Dhanashri - Reference Book, Pt. Bhatkhande, Kramik Pustak Mallika, Vol-4,starting from Pg. 347
a) Parichey
b) Aroha, Avaroha, Pakad.
Ability to sing and play on the Harmonium.
b)Writing of the Notation in the Bandish in chota khayal drut (Theory)
c) Learning to sing the Sthai
d) Learning g to sing the Antara.
e) learning to sing 2 alaaps
i ) Mandra to Madhya Saptak
ii) Madhya Saptak to Taar Saptak.
iii) learning to sing 3 Taans in 8 beats
iv) learning to sing one Taan in 12 beats
v) learning to sing one Taan in 16 beats.
Raga Puriya Dhanashri You Tube Links :-
Dr. Gurinder H. Singh
7.4.2020 to 11.4.20201.
- Practical Revision of singing the complete format of Raga Puriya Dhanashri.
- Practical Revision of the complete format of the Bada and Chota khayal of Raga Hamir.
- Theory detailed study of the following :
- Dhrupad
- Dhamar
Dr.Prerna Arora
Name of the course: (CBCS) BA Prog. Part 3, Sem 6,Hindustani Music
Name of paper: Musicology & Study of Ragas and Talas. ( 62447608)
Name of unit: 1 and 2
Primary study material: Practical
Raga Gaud Sarang
Pt. Tejpal Singh,
Shashtriya Sangeet Sikshan Vol4, Pg. starting from 74-75.
a) Parichey
b) Aroha, Avaroha, Pakad.
Ability to sing and play on the Harmonium.
b)Writing of the Notation in the Bandish in chota khayal (Theory)
c) Learning to sing the Sthai
d) Learning to sing the e) learning to sing 2 alaaps
i ) Mandra to Madhya Saptak
ii) Madhya Saptak to Taar Saptak.
iii) learning to sing 3 Taans in 8 beats
iv) learning to sing one Taan in 12 beats
v) learning to sing one Taan in 16 beats.
Dr.Prerna Arora
Name of the course: (CBCS) BA Prog. Part 3, Sem 6,Hindustani Music
Name of paper: Musicology & Study of Ragas and Talas. ( 62447608)
Name of unit: 1 and 2
Primary study material: Practical
Raga Gaud Sarang
Pt. Tejpal Singh,
Shashtriya Sangeet Sikshan Vol4,
- Learning to sing the Dhrupad in Raga Gaud Sarang.
i) Learning to sing the Sthai
ii) Learning to sing the Antra
iii) Learning to sing the Dugun, Tigun and Chaugun.
- Learning to write the Notation of the Sthai & Antra of Dhrupad (Theory)
Raga Gaud Sarang You Tube:-
Dr. Prerna Arora
6.4.2020 To 10.2.2020
- Practical revision of the Dhrupad in Raga Gaud Sarang.
- Sthai and Antra
- Dugun Tigun and Chaugun.
- Practical revision of complete format of the Chota khayal in Raga Gaud Sarang
Theory
Detailed study of the following
i). Khayal
ii). Tarana
2 Week
» Online Class Plan from 30.3.2020 to 4.4.2020 Click To Download
